I can work within a small footprint or scale up and direct a larger crew. If you’re hiring me for a day shoot, you may wonder what’s in my kit. Here is a partial list;
The Sony FX6 Digital Cinema Camera Kit. is one of the best cameras I have ever put in my hands. Perfect for both "run & gun shoots" to your full robust productions.
A trusty B-camera with extraordinary image quality for a small mirrorless.. High frame rate and an unbelievably accurate autofocus system makes for more controlled and beautiful gimbal shots.
Small, portable but powerful drone with exceptional obstacle avoidance for safe flight. Superior image quality, including high frame rate for silky smooth slow motion. See my .Drone Reel.
Continuous 360-degree image capture makes for a mind-bending array of camera tricks and angles, including a fantastic substitute when drone shots are not available. A fun tool for event videos.
This little gimbal greatly speeds up BROLL collection. It’s small enough to float anywhere and stable enough to catch tracking and dolly shots on the fly. It can even take the place of a tripod, keeping the image stable for impromptu interviews and lockdown shots.
My go-to microphone is the Schoeps. It is so directional that it can cut out room noise, it’s not on a frequency so we don’t have to deal with interference and when using it, we don’t have to deal with attaching lavalier mics on set.
For monitoring image quality in the field while recording maximum quality uncompressed ProRes files. We also have the 19” Atomos Sumo for client monitoring and playback review.
Made of lightweight carbon fiber, but sturdy as a tree. Revolutionary design allows for rapidly raising and lowering the height without having to deal with a lot of clamps and spreaders. My favorite tripod - quick on the set.
This little powerhouse lets me cut high frame rate, 4K video in the field - perfect for corporate candids. It also creates an opportunity to do a rough cut before leaving location to ensure we have captured all the field assets we need.